Célio Braga (BR/NL)

Célio Braga, SKIN WOUND QUEER
solo expositie in het Kunstmuseum Den Haag, in drie Berlagekabinetten.
Een overzicht van werken 2000 - 2023, selectie Benno Tempel, museumdirecteur. Sculpturen, video, foto's, mixed-media, werken op papier. 10 juni - 10 september 2023.

Bezoek expositie op zondag 16 juli 2023, 14.00-15.00 uur - Esther Bruggink
Bezoek expositie op zondag 20 augustus om 15.30 uur - Mirjam de Winter.

Célio Braga, expositie in Kunstmuseum Den Haag 10 juni - 10 september 2023: SKIN WOUND QUEER; ''14 Portraits: of Myself, of Friends, Friends of Friends, Acquaintances'', 2023; deconstructed men's shirts hand stiched over a wooden stretcher, each 35 x 30 cm. Tevens andere werken in de expositie, o.a. geperforeerde fotowerken (afbeeldeningen an 'Gold', 2005, framed photograph covered with double sided tape and glitter, 28 x 32,5 cm. / 'Black light (Viread)', 2008, acrylic and oil on unfolded medicine box, framed, 34 x 22 cm. / 'Yukio, Per Paolo and Sebastián', 2015, perforaties, inkt en fragmenten van foto / doek, 19 x 30, ingelijst 25 x 33 cm. / 'Elephant Boy', 2015-2022, glitter and perforations on folded xerox paper mounted on cloth, 29 x 39 cm. / 'Elephant Boy', 2015-2022, fragments of photographs, fragments of coloured paper and perforations on folded xerox paper mounted on cloth, 29 x 39 cm. / Untitled 2017, cuts, carvings, embossing and indentations on paper, 35 x 27 cm.
PHŒBUS•RotterdamCélio Braga, ''Strings (Flowers falling to the Ground)'', 2006-2022,

56 medicine bottles covered and handstichtched with fragments of various cloth, hair and embroidery,

h 5.56 m. Plus twee fotowerken (van huid, met perforaties e.a.).
PHŒBUS•Rotterdam

Célio Braga, z.t. 2023, kleurpotlood op textiel, over een houten spieraam. Twee versies.

Het Linker werk is aangekocht door het Kunstmuseum Den Haag.
PHŒBUS•RotterdamCélio Braga, ''Tearfall'', 2006-2023, 141 porcelain tears covered and hand stitched with various fragments of cloth, 3.56 m. h, detail. Plus deel reeks ''14 Portraits: of Myself, of Friends, Friends of Friends, Acquaintances'', 2023
PHŒBUS•Rotterdam

Célio Braga, een van drie objecten “Negros'', 2004
PHŒBUS•RotterdamCélio Braga, reeks van objecten 'Brancos'
PHŒBUS•RotterdamCélio Braga, ''White Shirt (Stephen)'', 2000-1;

White Shirt folded handsewn and embroidered with cotton threads.

''23 White Shirts'', 2000-2001, formaat variabel afhankelijk van plaatsing.
PHŒBUS•Rotterdam

Célio Braga, Untitled [Skin], 2008/2009, cuts and carving on photography, 45 x 57 cm.
PHŒBUS•RotterdamCélio Braga, z.t. 2009, insnijdingen, inkepingen, perforaties in foto's van huid, 29 x 40 cm. (het werk is ingelijst: wit hout/museumglas, 44,5 x 55,5 cm. )
PHŒBUS•Rotterdam

Célio Braga, ''14 Portraits: of Myself, of Friends, Friends of Friends, Acquaintances'', 2023; deconstructed men's shirts hand stitched over a wooden stretcher,

each 35 x 30 cm. [Célio 1, Célio 2]
PHŒBUS•RotterdamCélio Braga, ''14 Portraits: of Myself, of Friends, Friends of Friends, Acquaintances'' - Perfect Lovers (in Memory of Felix and Ross), 2023; deconstructed men's shirts hand stitched over a wooden stretcher, each 35 x 30 cm., detail.
PHŒBUS•RotterdamCélio Braga, ''14 Portraits: of Myself, of Friends, Friends of Friends, Acquaintances'', 2023; deconstructed men's shirts hand stitched over a wooden stretcher, each 35 x 30 cm. [BT]
PHŒBUS•Rotterdam

Célio Braga, expositie in Kunstmuseum Den Haag 10 juni - 10 september 2023: SKIN WOUND QUEER

''23 White Shirts'', 2000-2001, formaat variabel afhankelijk van plaatsing; met overhemden,

vaak gekregen van aidsvrienden, die in elkaar gevouwen en opgeborduurd zijn. detail
PHŒBUS•RotterdamCélio Braga, expositie in Kunstmuseum Den Haag 10 juni - 10 september 2023: SKIN WOUND QUEER; twee groepen werk gaan over ''SHIRTS'': de ''23 White Shirts'', 2000-2001, formaat variabel afhankelijk van plaatsing; met overhemden, vaak gekregen van aidsvrienden, die in elkaar gevouwen en opgeborduurd zijn. En, ''14 Portraits: of Myself, of Friends, Friends of Friends, Acquaintances'', 2023; deconstructed men's shirts hand stiched over a wooden stretcher, each 35 x 30 cm.
PHŒBUS•Rotterdam

ART Rotterdam februari 2023, PHŒBUSRotterdam, deelname met vijf werken:

Célio Braga, Untitled, 2022. Oil on layered canvas and cloth. 40 x 30 cm.
PHŒBUS•Rotterdam

Célio Braga, Untitled, 2022. Oil on layered canvas and cloth. 40 x 30 cm.
Célio Braga, Bloody Eyes, 2021. Oil on layered cloth. 38 x 29 cm. (wit oog/rood)
Célio Braga, Untitled, 2021/2022. Color pencil, oil and oil pastel on cut cloth. 63 x 42 cm. (boogjes/wit/roze)
Célio Braga, Glorious Wounds, 2022. Oil on fragments of cloth, glass beads, wool embroidered on felt. 63 x 42 cm.
Célio Braga, Thorns and Wounds, 2021. Oil and embroidered glass beads and wool on layered cloth and felt. 34 x 24 cm.

Célio Braga toont in '33 33', expositie t.g.v. de verjaardag van PHŒBUSRotterdam 28 januari 2023 (t/m 1 april 2023):
color pencil, oil and wax on paper and canvas, 5 parts, 0.30 x 1.05 m.
(aankoop Museum Boijmans Van Beuningen, 2023)

Célio Braga, Eyes-Black-Red-Brown-Green-Blue, 2020, color pencil, oil and wax on paper and canvas, 5 parts, 0.30 x 1.05 m. - boven ingang galerie beletage.
PHŒBUS•RotterdamCélio Braga, Eyes-Black-Red-Brown-Green-Blue, 2020, color pencil, oil and wax on paper and canvas, 5 parts, 0.30 x 1.05 m. - boven ingang galerie beletage.
PHŒBUS•Rotterdam

Célio Braga, Eyes-Black-Red-Brown-Green-Blue, 2020,
color pencil, oil and wax on paper and canvas, 5 parts, 0.30 x 1.05 m.(aankoop Museum Boijmans-Van Beuningen 2023)

Zie ook de foto rondleiding over '33 33' - dank aan Jaap Pameyer.

14 mei t/m 9 juli 2022, Célio Braga, 'Flesh and Flowers', 2022

Opening zaterdag 14 mei 2022 18.00-20.00 uur, welkom!
Tijdens de ART Rotterdam is de expositie van Célio te zien
op donderdag 19 en zaterdag 21 mei, 19.30 -22.00 uur, tijdens de lezingen over 'Jewel.Rotterdam' door Liesbeth den Besten en Suzanne van Leeuwen.

Célio Braga, 'FLESH & FLOWERS' the colors of skin and flowers

Célio Braga, 'Walking on Flowers, 2021

inkt, olie en oliepastel, uitgesneden doek, 47 x 33 cm.
PHŒBUS•RotterdamCélio Braga, Pink Flowers (VerdeRosa), 2022.

kleurpotlood, inkt, olie en borduursels op doek, 45 x 33 cm .
PHŒBUS•RotterdamCélio Braga, 'Les Fleurs du Mal' (Gilead, 2020) – inkt, olie en perforaties op medische bijsluiters op doek. 49.5 x 34.5 cm., detail
PHŒBUS•Rotterdam

Célio Braga, ''Open Wounds'', 2019/2020, kleurpotlood, olie en was op papier, canvas en doek. Tweemaal diptiek, elk 30 x 42 cm.
PHŒBUS•RotterdamCélio Braga, detail expositie 'Flesh and Flowers', 2022 -

met 'Open Wounds' en  hangende sculptuur 'Bouquet (Fleurs du Mal)'
PHŒBUS•Rotterdam

Célio Braga,''Open Wounds'', 2019/2020,

kleurpotlood, olie en was op papier, canvas en doek.
PHŒBUS•RotterdamCélio Braga, ''Open Wounds'', 2019/2020,

kleurpotlood, olie en was op papier, canvas en doek.
PHŒBUS•Rotterdam

Célio Braga,''Open Wounds'', 2019/2020,

kleurpotlood, olie en was op papier, canvas en doek.
PHŒBUS•RotterdamCélio Braga,''Open Wounds'', 2019/2020,

kleurpotlood, olie en was op papier, canvas en doek.
PHŒBUS•Rotterdam

Célio Braga, 'Open Wounds', 2019-2020, negende dyptiek vanaf links, 0.30 x 0.42 m.
PHŒBUS•RotterdamCélio Braga, 'Open Wounds', 2019-2020, vijftiende dyptiek vanaf links, 0.30 x 0.42 m.
PHŒBUS•Rotterdam

Célio Braga, 'Open Wounds', 2019-2020, tweede dyptiek vanaf links, 0.30 x 0.42 m.
PHŒBUS•RotterdamCélio Braga, 'Open Wounds', 2019-2020, vierde triptiek vanaf links, 0.30 x 0.63 m.
PHŒBUS•Rotterdam

Célio Braga, 'Les Fleurs du Mal', 2018/2020 – borduursels en fragmenten van bijsluiters op doek; triptiek, 0.53 x 0.95 m.
PHŒBUS•Rotterdam

Célio Braga, 'Les Fleurs du Mal', 2018/2020  –  linker deel (met zilveren draad)
PHŒBUS•RotterdamCélio Braga, 'Les Fleurs du Mal' , 2018/2020 – detail middendeel (met teksten)
PHŒBUS•RotterdamCélio Braga, 'Les Fleurs du Mal', 2018/2020  –  rechter deel (gouddraad)
PHŒBUS•RotterdamCélio Braga, 'Les Fleurs du Mal', 2018/2020 – rechter deel (detail borduursel bloem in gouddraad)
PHŒBUS•Rotterdam

Célio Braga, de extra kleinere expositie in de projectruimte, vanaf 15 juni 2022

(na 10 juli met aanpassingen).
PHŒBUS•RotterdamCélio Braga, de extra kleinere expositie in de projectruimte, vanaf 15 juni 2022

(na 10 juli met aanpassingen).
PHŒBUS•RotterdamCélio Braga, 2018, kleur, pigmenten, perforaties, insnijdingen in papier, ca. 21 x 35 cm
PHŒBUS•Rotterdam

Statement Célio Braga 2021:
My practice is supported by a very well defined method that involves long processes and specific techniques such as collages, perforations, layering, mending, stitching, embroidery and weaving.
Through those typical mediums that somehow are related to feminin tasks and labour I reflect on gender conventions and stereotypes on the roles of man, women and everything in between. It is also my intention to create a constant friction between the feminine versus the masculine, heterosexuality versus homosexuality, high art versus low art aesthetic, sacred versus the profane, art versus craft, beauty versus ugliness...
In my recent works elements such as scars, wounds, marks, vulvas, phallus, eyes, tears, blood tears, mouths, and thorns proliferate in rich compositions within the topics of sexuality, homoeroticism, religion, gender, violence, birth and death.
My work is also a personal testament to the inevitable passage of time.

In het voorjaar van 2022 neemt Célio Braga deel aan 'The Right Size XL', PHŒBUSRotterdam, groepsexpositie

Toon van Borm (BE), Célio Braga (BR/NL), Esther Bruggink (NL),
Dominique De Beir (FR), Bea Emsbach (DE), Anne Marie Finné (BE), Hanna von Goeler (CH/USA), Stefan Gritsch (CH), Hans Houwing (NL), Susanne Humrich (DE), Sarah van der Lijn (NL), Regula Maria Müller (CH/NL), Jadranka Njegovan (HR/NL), Sara Nuytemans (BE/NL), Sibylle von Preussen (DE), Amparo Sard (E), Eva-Maria Schön (DE), Jan Smejkal (CZ/DE),
Ken'ichiro Taniguchi (JP), Michael Toenges (DE)

Célio Braga was de eerste kunstenaar die een 'medaillon' maakte voor de expositie op de ART Rotterdam 2022 (verschoven van februari naar 18-22 mei) 'The Right Size and de Inspiration of a 18C Medaillion'. Zie hieronder, evenals negen werken in dezelfde tijd gemaakt.

Célio Braga, Medaillion - in het kader van de expositie op de ART Rotterdam 2022:

''The Right Size and the inspiration of an 18thC Medallion''
PHŒBUS•RotterdamCélio Braga, negen werken in relatie tot het concept voor de ART Rotterdam 2022:

''The RIGHT SIZE and the inspiration of an 18thC Medallion''
PHŒBUS•Rotterdam

Célio Braga, 'De Pest', Museum Het Valkhof Nijmegen (groep), zomer 2021
Célio Braga, 'Huid', Bonnefantenmuseum Maastricht, org. Rasa, zomer 2021 t/m 23 januari 2022

'The Result, over tijd t.t.v. corona', 28 augustus t/m 11 oktober 2020 expositie PHŒBUSRotterdam, galerieruimte bel-etage

Veel kunstenaars werkten tijdens corona extra geconcentreerd door.
Sommige kunstenaars hebben om redenen nèt dat ene uurtje en een
hoekje van de tafel benut. Anderen thematiseerden de corona-tijd.

met Eva-Maria Schön, Esther Bruggink, Célio Braga, Simon Benson, Barbara Helmer, Michael Toenges, Yvonne van de Griendt, Ken'ichiro Taniguchi, Anne Marie Finné, Bernard Villers, Daniel Dutrieux, Jadranka Njegovan, Mark Cloet, Stefan Gritsch,
Jan Smejkal, Regula Maria Müller, Dominique De Beir

'The Result - over tijd t.t.v. corona' - detail expositie in galerieruimte bel-etage,

28 augustus t/m 5 oktober 2020,

met werken van Célio Braga, Esther Bruggink, Stefan Gritsch
PHŒBUS•RotterdamCélio Braga, 'Heads with Dreams', 2020, color pencil, oil, wax and embroidery on canvas mounted on cloth, 1 x 1 m., detail
PHŒBUS•RotterdamCélio Braga, 'Urucum & Jenipapo', 2020, oil and wax on cloth and canvas, 92 x 82 cm, detail
PHŒBUS•Rotterdam

21 juni t/m 23 augustus 2020, Célio Braga neemt deel aan de zomerexpositie 2020,
op uitnodiging van Regula Maria Müller

Célio Braga, 2019, textiel, pigment, olie, 34 x 25 cm.
PHŒBUS•RotterdamCélio Braga, 2019, A4, textiel, was
PHŒBUS•RotterdamRegula Maria Müller, Stefan Gritsch en Célio Braga, zomertentoonstelling 2020
PHŒBUS•Rotterdam

opening zondag 19 mei 2019, 15-17 uur – t/m 7 juli, daarna in de zomer op afspraak

Tekstwerken in tuin en projectruimte:

Simon Benson, Célio Braga, Toon van Borm

Op 11 november 2018 opent de solo expositie in de galerieruimte beletage van PHŒBUSRotterdam. Tegelijk is werk van Jadranka Njegovan te zien in de projectruimte. Hartelijk welkom.

Célio Braga, Foto van de inrichting op 7 november 2018
PHŒBUS•RotterdamCélio Braga, Foto van de inrichting op 7 november 2018
PHŒBUS•RotterdamCélio Braga, expositie 'Field of Flowers (For our time is the passing of a shadow)' , PHŒBUS•Rotterdam t/m 16 december 2018
PHŒBUS•Rotterdam

Célio Braga, expositie 'Field of Flowers (For our time is the passing of a shadow)' , PHŒBUS•Rotterdam t/m 16 december 2018
PHŒBUS•RotterdamCélio Braga, detail vloerinstallatie 'Field of Flowers (For our time is the passing of a shadow)'
PHŒBUS•RotterdamCélio Braga, 'Field of Flowers (For our time is the passing of a shadow)'
PHŒBUS•Rotterdam

Célio Braga, 'Fields of gold', 2018. Gouache and glitter on medicine information leaflets, 1.01 x 0.98 m.
PHŒBUS•RotterdamCélio Braga, Untitled (002), 2018. Embossing, pencil and color pencil on fragments of paper mounted on paper. 1.04 x 1.02 m.
PHŒBUS•RotterdamCélio Braga, 'Unt. (Field of Flowers)', 2018. Perforations,

embossing and color pencil on paper. 1 x 1 m.
PHŒBUS•Rotterdam

Célio Braga, 'Tears', 2018. Color pencil and salt on folded cloth. 0.73 x 0.79 m.
PHŒBUS•RotterdamCélio Braga, 'Unt. (Blue I)', 2018. Color pencil and perforated paper on folded cloth.

0,79 x 0.73 m.
PHŒBUS•RotterdamCélio Braga, 'Field of Flowers', Color pencil and perforated paper on folded cloth.

0.78 x 0.91 m.
PHŒBUS•RotterdamCélio Braga, 'Small Golden Field', 2017/2018. Color pencil, glue, oil color and glitter on cloth. 33 x 34.5 cm, detail.
PHŒBUS•RotterdamCélio Braga, 'Glittery Tears', 2018. Color pencil, salt and glitter on sewn and folded cloth. 73 x 79 cm.
PHŒBUS•Rotterdam

Célio Braga, Untitled (Woven), 2018. Color pencil and embossing on woven pape.

54 x 65 cm. (+ lijst)
PHŒBUS•RotterdamCélio Braga, Untitled (Woven), 2018. Color pencil and embossing on woven paper.

54 x 68.5 cm. (+ lijst)
PHŒBUS•RotterdamCélio Braga, Untitled (woven), 2018. Embossing and color pencil on woven paper.

38.2 x 47 cm. (+ lijst)
PHŒBUS•Rotterdam

Les fleurs du mal, Philip Peters over enkele werken van Célio Braga

Zomertentoonstelling 2018: 'Terrarium / Territorium'. Célio Braga neemt deel met vijf recente werken op papier.

PHŒBUSRotterdam / ART ROTTERDAM 2018 Main Section, booth 7
Joachim Bandau, Célio Braga, Bernadet ten Hove, Michael Toenges

Célio Braga, One Year With-Out Love (Pharmacy DeLuxe), 2017. 12 medicine bottels (Atripla/Genvoya) sewn and embroidered with old handkerchieves. 12 cm x 70 cm.(detail)
PHŒBUS•RotterdamCélio Braga, Untitled - Amsterdam -, 2017, paper/pigments/glitter, 21 x 29,7 cm.
PHŒBUS•RotterdamCélio Braga, 'Floriano Polis', 26-03-2017, paper/photo, 30 x 42 cm.
PHŒBUS•RotterdamCélio Braga, Full Blown, 2004, film animation/video without sound,

showing the process of cutting into photo paper (58 seconds, loop)
PHŒBUS•Rotterdam

Célio Braga is the artist from Brasil + NL, making photos, drawings, installations, videos. His path has been marked by the ability to redefine and to expand fluidly conventional categories such as photography, sculpture and textiles among others. These media are pushed to the limit and beyond, through successive trials and by the employment of unusual materials and craft techniques. Conceptually he deals with the following topics: the fragility of the body, healing rituals, the irrevocable passage of time, processes of disappearance and silence, memory, the definitive nature of death, grief and sexuality.

Letʼs reflect on his minutely carved - as I never saw it - papers:
he cuts and perforates in white paper and photos - his paper works are often layered reliefs and therefore they have a tangability, like objects. However the work concerns fragility - to the point of disappearing...
The white works look abstract and minimal, but glow of organic growings that refer to nature, for instance to the beauty of flower petals or to a jungle of foliage, but also to different structures of the skin with small blobs, pores and shedding; or to the inside of our bodies with organs and intestines. The subtility is clear from the different patterns in the white paper, but also from the combination of the white paper and photography: the furrows in the paper and on the photo look alike, trails of paper and photoprint graceful intertwine, and a piece of a pink photo has a counterpart in a little dot, drawn with colour pencil. Basically all Célioʼs works are skins.

Some works are related to 'medicines'. 'Burning With Emotion (Triumeq)', 2016 consists of perforated paper, textile threads, color pencil, all in/on medical instructions for use (2016, 42 x 61 cm.). Triumeq is a medicine that is used against HIV and aids. The texts of the instructions are readable, also the perforated texts of Flauberts' Temptation of St. Anthony. A ten-part work, 2017, consists of medicine bottles, overlaid with white embroidered textile.

The presentation on the Art Rotterdam 2018 will include carved and perforated paper works, works in textile and with 12 medicine bottels, an animation/ video.

Art Rotterdam 2018: Célio Braga, borduursel en glaskralen op textiel, ca. 27.5 x 17 cm.
PHŒBUS•RotterdamCélio Braga, kleurpotlood op gevouwen papier op textiel, 50 x 50 cm.
PHŒBUS•Rotterdam

Célio Braga's werk gaat over de kwetsbaarheid van het menselijk leven,
en over 'schoonheid en liefde'.

Welkom op de ART Rotterdam 2018, 7 t/m 11 februari: PHŒBUSRotterdam, stand 7 Main Section: Joachim Bandau, Célio Braga, Bernadet ten Hove, Michael Toenges.

Célio Braga, 'Those Two [White Shirts]', 2001/2017;

folded, shewn and embroidered white shirts, h 2.05 m.
PHŒBUS•RotterdamCélio Braga, 'Those Two [White Shirts]', 2001/2017;

folded, shewn and embroidered white shirts, h 2.05 m.
PHŒBUS•RotterdamCélio Braga, 'Those Two [White Shirts]', 2001/2017;

folded, shewn and embroidered white shirts, h 2.05 m.
PHŒBUS•Rotterdam

Célio Braga, 'Those Two [White Shirts]', 2001/2017; folded, shewn and embroidered white shirts, h 2.05 m. - drie details

Célio Braga, 01. Untitled (White Blur), 2017. Cuts and carvings on paper. 29.5 x 21 cm
PHŒBUS•RotterdamCélio Braga, 02. Untitled (White Blur), 2017. Cuts and carvings on paper. 29.5 x 21 cm
PHŒBUS•RotterdamCélio Braga, 03. Untitled (White Blur), 2017. Cuts and carvings on paper. 29.5 x 21 cm
PHŒBUS•RotterdamCélio Braga, 04. Untitled (White Blur), 2017. Cuts and carvings on paper. 29.5 x 21 cm
PHŒBUS•Rotterdam

Célio Braga, 05. Untitled (White Blur), 2017. Cuts and carvings on paper. 29.5 x 21 cm
PHŒBUS•RotterdamCélio Braga, 06. Untitled (White Blur), 2017. Cuts and carvings on paper. 29.5 x 21 cm
PHŒBUS•RotterdamCélio Braga, 07. Untitled (White Blur), 2017. Cuts and carvings on paper. 29.5 x 21 cm
PHŒBUS•RotterdamCélio Braga, 08. Untitled (White Blur), 2017. Cuts and carvings on paper. 29.5 x 21 cm
PHŒBUS•Rotterdam

Célio Braga, 09. Untitled (White Blur), 2017. Cuts and carvings on paper. 29.5 x 21 cm
PHŒBUS•RotterdamCélio Braga, 10. Untitled (White Blur), 2017. Cuts and carvings on paper. 29.5 x 21 cm
PHŒBUS•RotterdamCélio Braga, 11. Untitled (White Blur), 2017. Cuts and carvings on paper. 29.5 x 21 cm
PHŒBUS•RotterdamCélio Braga, 12. Untitled (White Blur), 2017. Cuts and carvings on paper. 29.5 x 21 cm
PHŒBUS•Rotterdam

Célio Braga, Untitled (White Blur), 2017. 12 Cuts and carvings on paper, each 29.5 x 21 cm.

Célio Braga, Untitled [White Blur], 2017. Cuts, perforations and carvings on paper.

65 x 50 cm.
PHŒBUS•RotterdamCélio Braga, Untitled [White Blur], 2017. Cuts, perforations and carvings on paper.

65 x 50 cm.
PHŒBUS•Rotterdam

Célio Braga, Untitled [White Blur], 2017. Two works 65 x 50 cm. Cuts, perforations, carvings on paper, one work" plus color pencil.

Célio Braga, Untitled [Blur], 02, oil stains and bebossing on paper, 32 x 42 cm
PHŒBUS•RotterdamCélio Braga, Untitled [Blur], 02, color pencil, bebossing and oil stains on paper, 32 x 41 cm.
PHŒBUS•RotterdamCélio Braga, Untitled [Skin], 2008/2009, cuts and carving on photography, 45 x 57 cm.
PHŒBUS•Rotterdam

Célio Braga, Untitled [Blur], 02, oil stains and bebossing on paper, 32 x 42 cm.
Célio Braga, Untitled [Blur], 02, color pencil, bebossing and oil stains on paper, 32 x 41 cm.
Célio Braga, Untitled [Skin], 2008/2009, cuts and carving on photography, 45 x 57 cm.

Célio Braga neemt deel aan de zomertentoonstelling PHŒBUSRotterdam 2017
en exposeert in het najaar 2017.

Celio Braga, z.t. (uit de series 'Vanitas'), 2017, gedroogde bloembladen en

glitter op bijsluiters, 27,5 x 20,5 cm. (part. coll. M)
PHŒBUS•RotterdamCelio Braga, z.t. (uit de series 'Vanitas'), 2016, fragmenten van fotografie, parelmoer en glitter op bijsluiters, 21,5 x 17 cm. Nb. de fragmenten van fotografie in dit werk zijn afkomstig uit de tekeningen van Louise Bourgeois; ook is gebruik gemaakt van woorden uit teksten van Oscar Wilde en Jean Cocteau.  (part. coll.)
PHŒBUS•Rotterdam

Celio Braga, z.t. (uit de series 'Vanitas'), 2016, fragmenten van fotografie, kleur potlood, olieverf en perforaties op papier en fotografie;

tweeluik: 29,5 x 21 en 30,3 x 21 cm. (linker deel)
PHŒBUS•RotterdamCelio Braga, z.t. (uit de series 'Vanitas'), 2016, fragmenten van fotografie, kleur potlood, olieverf en perforaties op papier en fotografie;

tweeluik: 29,5 x 21 en 30,3 x 21 cm. (rechter deel)
PHŒBUS•Rotterdam

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PHŒBUS•Rotterdam

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